{"id":41,"date":"2020-12-29T13:10:22","date_gmt":"2020-12-29T12:10:22","guid":{"rendered":"http:\/\/localhost\/rankup\/?page_id=41"},"modified":"2025-04-08T21:57:57","modified_gmt":"2025-04-08T19:57:57","slug":"amparo","status":"publish","type":"page","link":"https:\/\/kastagnette.com\/en\/amparo\/","title":{"rendered":""},"content":{"rendered":"\t\t
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VITA<\/span><\/h2>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t
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She emigrates to Spain in 1981, continues her dance training with central figures of flamenco dance: Mercedes y Albano, El Farruco and Manolo Mar\u00edn. From 1983 she dances in the Tablao Flamenco Los Gallos in Seville and becomes assistant to Mario Maya, the leading protagonist of flamenco dance theatre, in his Centro Mario Maya with the Teatro Gitano Andaluz. At the 1984 Bienal Flamenca in Seville, she dances the role of the mother alongside Mario Maya in his piece 'Amargo'.<\/p>\n\t\t\t\t\t\t\t<\/div>\n <\/div>\n

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After many years of very successful work in Spain, she returned to Berlin in 1986. She gives workshops throughout Germany and other European countries and in 1990 opens the FlamencoStudio Amparo de Triana. She deepens her studies of the castanets with the method of Emma Maleras: completion of the 10th exam, diploma 'Concertista de Casta\u00f1uelas' and certificate of pedagogy of the Asociaci\u00f3n Cultural Emma Maleras, Barcelona. In January 2011 she founded the Castanets Choir Berlin with participants of her castanets groups and in 2017 the chamber music ensemble for concert castanets 'Ensemble Kr\u00f3talo'.\n<\/p>\n\t\t\t\t\t\t\t<\/div>\n <\/div>\n

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Amparo de Triana<\/h4>\n\t\t\t\t\t\t\t\t

State certified dancer and dance teacher, flamenco dancer and concert castanet player.<\/p>\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tContact\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n\t\t<\/section>\n \n\t\t\t\n \n \t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"Siguiriyas<\/figure><\/a><\/div>
\"Entre<\/figure><\/a><\/div>
\"Sole\u00e1<\/figure><\/a><\/div>
\"Castanets<\/figure><\/a><\/div>
\"in<\/figure><\/a><\/div>
\"Cl\u00e1sico<\/figure><\/a><\/div>
\"Garrot\u00edn\"<\/figure><\/a><\/div>
\"Sole\u00e1<\/figure><\/a><\/div>
\"Akademie<\/figure><\/a><\/div>
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Since her return from Spain, she has performed and toured extensively with her own flamenco programmes and as a concert castanet virtuoso, including in November 2016 at the International Chamber Music Festival in Hamburg with the Wind Quintet of the ‘Staatskapelle Berlin’, in 2017 at the ‘Stuttgart Flamenco Festival’, in 2016 in Solothurn Concert Hall with the Symphony Orchestra of this city under the direction of Harald Siegel and at the ‘Maar Theatre’ in Vienna. Already in 1994 she participated as a castanet virtuoso in the recording of the CD Luigi Boccherini – Guitar Quintets by the Hugo Wolff Quartet with Walter Abt, guitar. And in 2024 she gave several very successful concerts in Japan.<\/p>

She has written several scores for concert castanets, including polyphonic pieces for a castanet choir and the chamber music ensemble Kr\u00f3talo.<\/p>

Since 2018, many of these compositions have been published in the extensive series \u2018Concert Castanets\u2019, some in print and\/or as e-books. In 2024, sound recordings of the pieces from volumes I – III were also released, with the following instrumentation:
Amparo de Triana – concert castanets<\/strong>
Yoshimi Ogawa – piano<\/strong>
These sound recordings and the sheet music volumes are available from the shop Concert Castanets<\/a> on this website.<\/p>

She has a very extensive repertoire of concert pieces for castanets from various musical genres: Classical works from early music to contemporary works, jazz, flamenco, world music and popular music.<\/p>

Download: from my repertoire<\/a><\/span>\u00a0<\/span><\/strong><\/em><\/span>\u00a0\u00a0 <\/strong><\/em><\/span><\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Amparo de Triana has collaborated with important musicians and flamenco artists:<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Wind Quintet of the Staatskapelle Berlin, Hugo-Wolff Quartet, Walter Abt, Carmen Ledesma, Carmen Alb\u00e9niz, La Farruca, La Pharaona, Juana Amaya, Manolete, Javier Cruz, Meme Reina, La Pelua, Gabriela Ortega, El Chocolate, Miguel P\u00e9rez, Rafael Riqueni, Rafael de Utrera, Jos\u00e9 Parrondo, Manolo Sevilla, Ram\u00f3n and Diego Amador, Carlos Heredia, Manolo Lim\u00f3n, Rafael Fern\u00e1ndez, Curro de Triana, …<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Here are the most important engagements:<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Philharmonie – Berlin, Deutsche Oper – Berlin, Akademie der K\u00fcnste – Berlin, Konzertsaal der Hochschule der K\u00fcnste – Berlin, Alte Oper – Frankfurt, Musikhalle – Hamburg, Liederhalle – Stuttgart, Theater am Aegi – Hannover, Carl-Orff-Saal im Gasteig – Munich, Tafelhalle – N\u00fcrnberg, the Lower Saxony Music Days, Opera Festival – Heidenheim, International Chamber Music Festival Hamburg. Tokyo – Opera City Concert Hall, Osaka – Fenice Sakay Hall.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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VITA She emigrates to Spain in 1981, continues her dance training with central figures of flamenco dance: Mercedes y Albano, El Farruco and Manolo Mar\u00edn. From 1983 she dances in the Tablao Flamenco Los Gallos in Seville and becomes assistant to Mario Maya, the leading protagonist of flamenco dance theatre, in his Centro Mario Maya <\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-41","page","type-page","status-publish","hentry"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/kastagnette.com\/en\/wp-json\/wp\/v2\/pages\/41","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kastagnette.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/kastagnette.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/kastagnette.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/kastagnette.com\/en\/wp-json\/wp\/v2\/comments?post=41"}],"version-history":[{"count":101,"href":"https:\/\/kastagnette.com\/en\/wp-json\/wp\/v2\/pages\/41\/revisions"}],"predecessor-version":[{"id":4584,"href":"https:\/\/kastagnette.com\/en\/wp-json\/wp\/v2\/pages\/41\/revisions\/4584"}],"wp:attachment":[{"href":"https:\/\/kastagnette.com\/en\/wp-json\/wp\/v2\/media?parent=41"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}